Title: Sins of the South
Author: Maureen Hughes
Genre: non-fiction, true crime
Price: $16 paperback
Publisher: CreateSpace
ISBN: 978-1469907796
Point of
Sale: Amazon
Reviewed by: Chris Gerrib
I grew
up in a small town, and now live in a suburb of a big city. When I tell people in my current community
where I grew up, they immediately think of “Mayberry RFD” and seem to think
that my local police officer carried a gun with one bullet and the height of
his day consisted of dealing with grade-school candy thefts. I smile, and remind myself that, of the 78
kids who graduated in my class in high school, three of them (that I know of)
have spent time as inmates in prison. In
short, small-town life is not anything like Mayberry.
So, it
was with great interest that I purchased Maureen Hughes’ book Sins of The South, billed as exposing
the “shocking mafia influence in small towns in Illinois.” The book primarily tells the story of Lester “Shot”
Winchester, a nightclub owner in far Southern Illinois who died of a gunshot
wound in April, 1956. I don’t think it’s
much of a spoiler to note that Hughes at least thinks Winchester was murdered.
“Shot”
Winchester was no saint, having at age 15 killed a boy for cheating him at a
floating craps game. After Winchester
got out, Prohibition was in full roar, and so he got a variety of jobs running
moonshine, managing speakeasies / whorehouses, and related illegal
activities. Perhaps ironically,
Winchester was killed over a crime he probably had nothing to do with.
Sins of the South is an interesting book, but alas
not a particularly well-written one. Hughes’ story wanders in and out from
Prohibition to the post-WWII era of legalized gambling in Illinois. Much of the book is a laundry list of the various
local mobsters in Alexander and Pulaski counties (both at the bottom of the “V”
formed by the Ohio and Mississippi Rivers).
These mobsters and the corrupt local sheriffs, judges and other
political figures were sub-fiefs of the big crime operations in Chicago, St.
Louis and for a time Detroit (important due to its easy access to Canadian
booze). Still, whether the triggerman is
a local ne’er-do-well or an out-of-town hitman, the victim is every bit as
dead.
Much of Sins of the South is stories told to
Hughes by anonymous and elderly survivors of the period, which leads to some of
the conversational quality of the prose.
And again, Hughes storytelling is a bit convoluted, apparently in an
attempt to create a bit of drama where there isn’t much. Still, I found Sins of the South an
interesting book, and a useful antidote to the Mayberry RFD story of rural
Illinois. It’s a book more for history
buffs than casual readers, but at 198 pages it’s accessible to all.
7/10
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